“Extended” Vessel
“I eyeball my counterpart and try to decide if start the maceration of his/her clichees with sewage pipes or with Tàpies. I do instead ‘ceramics about ceramics’. […] It is indeed a joyful experiment between kitchen cabinet and museum, consciously slipping underneath the categories of the art historians. It is this play with cause and effect, with commemoration and association. The test arrangement could be called: ‘Shifting of the usefulness of a vessel from hand to heart to brain’.”
